Barbara Hepworth Death in Fire – The masterful custom in St Ives goes back to the furthest limit of the nineteenth century yet it was not until the mid twentieth century that the town set up itself on the vanguard of the British workmanship scene. There are barely any names that are more inseparable from this time than that of the stone worker Barbara Hepworth.
Hepworth was naturally introduced to a white collar class family in Wakefield, Yorkshire when the new century rolled over. Her dad was a structural designer who proceeded to become area assessor. Hepworth’s imaginative ability was evident from the get-go and she was granted a grant to Leeds School of Art in 1920. It was here that she met individual stone worker Henry Moore, maybe the most popular of the wave contemporary specialists from this period. There is little uncertainty he was an incredible effect on her work, yet it is likely this was a two-way measure. From here she won a further grant to the Royal College of Art getting a certificate in 1923. The next year Hepworth remained on to go after the Prix de Rome. She missed out to John Skeaping who might turn into her significant other.
After a spell in Italy Hepworth and Skeaping came back to settle in London where the two of them developed notorieties and portfolios. Despite the fact that the couple had a child, Paul, in 1929 their relationship couldn’t endure and they were separated in 1933. It was during this period that she met craftsman Ben Nicholson with whom she would in the long run move to St Ives with.